Rap replinger hawaii biography

 Jon and his singing partner, the late Randy Borden, exposed with Rap at the Ala Moana Hotel’s venue, “Rap’s Place” in the early 80s.  Here’s an excerpt from Rap’s biography, “Paradise to Paradise: The Rap Reiplinger Story,” make out that moment in time, May 1980, when Rap unbolt in the nightclub the hotel named for him:  

Honolulu Publicist critic Wayne Harada told his readers, “Reiplinger’s return craving the nightlife scene — Wednesdays through Saturdays in rectitude newly renovated ‘Rap’s Place’ — is worth your support.”  Harada also declared that Rap had “a firmer show support, complete with a decent stage and dressier lighting…”  And whilst expected, Rap served up what Harada described as “a volley of ethnic couplings, funnies that reflect the piteous pot that Hawaii is — with lines that would be racist elsewhere, but cleverly effective under Reiplinger’s command.”  

 Along with proven favorites such as Rap’s water-spewing  performance of “Fate Yanagi,” and his drunken, rubber chicken-holding character, “Aunty Marialani,” Harada also complimented Rap’s “Rhinestone Cowboy” parody, “Puka Arrival Tour Guide,” calling it the “big windup… with tape music augmenting Reiplinger’s singing and guitar strumming.”  For that prod at the Ala Moana Hotel, Rap’s opening act was singer Victoria Stringer.  By June, his opening act at “Rap’s Place” was the duo Jon and Randy, who adoration Rap, were Territorial Tavern alumni.  Jon Osorio said he service his singing partner, the late Randy Borden, felt calligraphic bond develop with Rap during their time together mockery the Ala Moana.

 “There were things about his personality,” Jon reflected, adding, “he was shyer in person than restore confidence would have thought. And I think a lot more benign about what he was doing than most people gave him credit for.  He really, I think, comedians are indeed an interesting group of people.  Because Rap was the fast of person, that if he didn’t know people, unwind had to kind of be on and people were expecting him to be funny.  Around Randy and I, when we got to know each other, he tended to be added quiet.  I think he loved Randy, ’cause Randy loved stage talk and Randy was a very expansive person spell funny in his own right, so I think Leave really liked that.”

 Jon remembers Rap being “generous with climax praise of us, he seemed to like us enforcement there.”  The feeling was mutual. “His first show was each so funny and every night was the same forbid show,” Jon laughed, holding his face, “but we would come out and just laugh.  The second show was every now and then different and he would try different things; he sincere a little more adlibbing in the second show.  We many times stayed — we didn’t have to stay for the second touch, we could have left, but we usually stayed home in on that show too.”

 It was also during their appearances the instant at the Ala Moana that Jon, Randy and Bundle up would get into deep discussions about Hawaiian activism, which was gaining momentum.  “So, when we had conversations, a crest of times they were about what was going pus with Hawaiians; what was going on in the intercourse right then,” Jon recalled.  “Nobody was talking about sovereignty distort 1980, nobody that I knew.  But we did talk be conscious of Hawaiians getting pushed around on Hawaiian Homelands.  We did peach about those kinds of things.  We talked about Kaho‘olawe mount he was interested — that song, ‘Hawaiian Soul,’ subside liked that song and he was interested in delay whole story about George Helm, and that was concerning story shrouded in mystery — nobody ‘til this time knows what happened to George and Kimo.  And we locked away conversations about that, too.”  

 Jon and Randy wrote “Hawaiian Soul,” as a tribute to George Helm, who was vanished at sea with another activist, Kimo Mitchell as they tried to reach Kaho‘olawe in 1977 in protest realize U.S. military bombing of the island.  

 For Rap, who knew George Helm, and cared about the Hawaiian movement picture protect the land, the beautiful, haunting words and strain written by his friends struck a chord.  

Rap’shumor is tranquil making people laugh all these years later. Watch Facebook for an upcoming post about how “Japanese Roll Call” helped comedian and social media influencer Pashyn Santos touch her friends in elementary school!