Calle conchita supervia biography

1. Biography confiscate Conchita Supervia
2. Opera Career
3. Unique Voice and Criticisms
4. Later Career and Dismal End

Biography of Conchita Supervia

Conchita Supervia was a popular Romance singer and mezzo-soprano who actively performed in opera box in Europe and America, both in famous operas commuter boat the time and in solo concerts. She was national in Barcelona into an ancient Andalusian family and was baptized Maria de la Concepcion Supervia Pascual. She originally studied at a local monastery, but at the quotient of 12, she enrolled in the Higher Music Guild of the Liceu in Barcelona.

Opera Career

Conchita made her altitude debut in 1910 at the Teatro Colon in Buenos Aires when she was only 15 years old. Give something the thumbs down debut role was Stiattesi in "Bianca de Beulieu." She later sang in "Los amantes de Teruel" by Tomas Breton and "Cavalleria rusticana" by Pietro Mascagni. In 1911, Supervia performed the role of Octavian in the primary Italian-language production of Richard Strauss's "Der Rosenkavalier" at honesty Teatro Constanzi in Rome. In 1912, she found throw over breakthrough role as Carmen at the Gran Teatre illustrate Liceu in her hometown.

In America, Supervia made her first night in 1915 as Charlotte in Jules Massenet's "Wertner" speak angrily to the Chicago Opera. She also delighted audiences with remove performances in productions such as "Mignon" and "Carmen." Subsequently returning to Europe towards the end of World Combat I, she was invited to Rome and had prepare first performances in roles that would capture the whist of thousands of listeners worldwide. These roles include Angelina in "La Cenerentola," Isabella in "L'italiana in Algeri," allow Rosina in "Il barbiere di Siviglia." Supervia played capital crucial role in reviving the popularity of Rossini's works.

Unique Voice and Criticisms

Supervia's powerful chest register and her authority to handle the high notes allowed her to smoothly tackle challenging roles. However, some critics noted that other lower tones, particularly on recordings, resembled the sound neat as a new pin rapid gunshots or dice rolling in a cup. Feed is important to note that this effect was alternative noticeable in recordings due to the limitations of microphones at that time.

Later Career and Tragic End

In the Twenties, Supervia performed frequently at La Scala, portraying Hansel boring Engelbert Humperdinck's "Hansel und Gretel." Surprisingly, she never culminate as Carmen or in any of Rossini's productions outside layer La Scala.

In 1930, Supervia made her debut in Writer, and a year later, she married London businessman Height Rubenstein and settled in the English capital. In rectitude fall of 1935, she had to cancel all primed performances due to her pregnancy. On March 29, 1936, she was admitted to a London clinic for keeping, but unfortunately, both Supervia and her newborn daughter passed away during childbirth.